Mukhia is an alumna of the at the Tata Institute of Social Sciences (TISS) , Mumbai, where she graduated in 2013. Her academic and professional output often bridges the gap between academic research and creative storytelling. Key Works in Film and Media
Her lens captures everything from sweeping natural landscapes to the intricate interplay of light and shadow . For Mukhia, photography is an ongoing challenge to find depth, pattern, and emotion in simple, everyday scenes. Legacy of Community and Empathy
Expanding her horizon beyond the Indian subcontinent, Mukhia relocated to Perth, Western Australia, to pursue a Master’s degree at Murdoch University. While advancing her formal education, she chose a parallel professional path that mirrors her innate empathy: working as an aged care support worker.
If you haven’t yet hit the follow button on this trailblazer, now is the time. Because every time Juanita Mukhia posts, she doesn’t just share a photo—she shares the soul of Sikkim. juanita mukhia
For many like the subjects in Mukhia’s reportage, moving to a mega-city like Mumbai is a journey of both aspiration and alienation. While the city promises economic mobility, it often demands a complex negotiation of one’s identity.
Juanita Mukhia represents a modern, global citizen. Her journey shows that art is not just a commercial product, but a tool to examine social constructs, uncover injustices, and celebrate human resilience. From the mountains of Sikkim to the classrooms of Murdoch University and the homes of the elderly in Perth, her multifaceted life proves that a career driven by purpose can transcend borders and mediums.
, where she has worked on projects related to social development and environmental responsibility. Key Areas of Focus Identity & Migration: Mukhia is an alumna of the at the
Through close visual exploration of spaces and routines, Mukhia and her co-directors captured how these subjects turn internal angst into tangible social resistance. Creative Vision and Documentary Style
: She has documented the unique, often invisible "alternative" economies within Mumbai. Her feature, "The Barterwallahs of Bambai," highlights the city's informal trading systems. 🗞️ Narrative on Migration and Identity
To fill that gap, she founded in 2018, a 501(c)(3) women-led production company with a mission to create content that celebrates authentic BIPOC narratives and empowers women and youth globally. She further expanded her vision by launching Purpose Streaming , a platform dedicated to BIPOC-centric content, on Juneteenth 2021. For Mukhia, photography is an ongoing challenge to
Hailing from Chattanooga, Tennessee, Juanita’s foundation in the arts and academics was established early on. She began performing in local theater as a child, a passion encouraged by her mother, a professional musician. But her talents were not limited to the stage.
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: She has been vocal about the need for state intervention in the behavioral health crisis, particularly regarding Medicaid-managed care and its impact on service delivery.
In Nepali culture, Maiti represents a woman's parental home—a place of unconditional love, security, and identity, which a woman often leaves behind after marriage. Juanita’s rendition was hauntingly beautiful. Her voice carried a profound sense of longing and nostalgia, striking a chord with millions of women who identified with the sentiment. The song wasn't just a commercial success; it was a cultural phenomenon that cemented her status as a serious artist capable of handling weighty emotional themes.
In spring someone left a photograph on her doorstep: black-and-white, edges soft with age. Two women posed in front of a house with the same crooked chimney as Juanita’s; their hair was pinned in styles long out of fashion, and they cradled a small, sleeping child. On the back, a single name: Mukhia. Juanita stared at it, the world suddenly hushed. She had assumed, all her life, that her surname belonged to a lineage of small, private things—names in ledgers, faint annotations in distant registries—but the photograph suggested otherwise: a lineage of hands and faces that threaded through unknown towns, a map of belonging she had never expected.
