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Taking a continuous classical piano line and slicing it into rhythmic, staccato blocks to form a modern trap beat.

The legal battle over the ownership of the viral hit "" is one of the most complex and high-stakes copyright disputes in modern K-pop. This case, centered on the song's composition, is seen by many as a landmark moment that will set important precedents for how song credits and ownership are determined in the future. It highlights that sampling and interpolation disputes can happen after a song has become a global phenomenon, leading to tangled and costly legal fights.

The verses often lean into hip-hop or rap elements, allowing the performers to showcase rap abilities.

Modern K-pop production often relies on high-quality sample packs from platforms like Splice. This has led to interesting moments where different groups unknowingly use the same "royalty-free" sample. While some critics argue this reduces originality, fans often enjoy finding these "sonic siblings" across different discographies.

If a classical piece is used, the composition must be completely in the public domain (usually meaning the composer has been deceased for more than 70 years). However, if a producer wants to sample the specific recording of an orchestra playing that piece, they must still clear the master rights with the record label that owns that recording. This intense attention to detail ensures that the K-pop industry remains a highly respected player in international music law. The Future of the Kpop Sample

K-pop frequently pays homage to Western pop and R&B classics, often resulting in "earworm" choruses.

: This is arguably the most artistically successful example in recent years. The song incorporates Johann Sebastian Bach's "Air on the G String " not as a simple loop, but as a dynamic, evolving element. It's woven into the song's structure, with its tempo and pitch manipulated to match the track's shifts in mood, creating a beautiful synergy between the old and the new.

BLACKPINK's "Shut Down" is a standout: it transforms Paganini's intense classical melody into a hard-hitting hip-hop beat, creating a powerful contrast between the two worlds. Red Velvet's "Feel My Rhythm" is another masterpiece that cleverly incorporates Bach's delicate harmonies, elevating a pop song into an artistic statement.

These dynamic, sampled soundscapes provide the perfect backdrop for complex, high-impact choreography, allowing artists to tell a story through both sound and dance.

| Year | Notable Examples & Trends | | :--- | :--- | | | A resurgence began with BTS Jimin's " Lie " (sampling Manuel de Falla's " La Vida Breve ") and VIXX's " Fantasy " (sampling Beethoven's " Moonlight Sonata "). | | 2020 | The trend continued to build momentum with groups like Cherry Bullet and Golden Child sampling Beethoven and Paganini. | | 2022 | A landmark year with seven songs featuring classical samples, including Red Velvet (" Feel My Rhythm " used Bach's " Air on the G String "; " Birthday " sampled Gershwin's " Rhapsody in Blue ") and BLACKPINK (" Shut Down " reimagined Paganini's " La Campanella " as a hard-hitting hip-hop track). | | 2022 | IVE sampled the iconic disco classic " I Will Survive " by Gloria Gaynor for their hit " After Like ". | | 2022 | (G)I-DLE sampled the aria " L'amour est un oiseau rebelle " (Habanera) from Bizet's opera Carmen for " Nxde ". | | 2024 | TWS sampled the seminal 1993 K-pop song " Last Festival " by Seo Taiji and Boys for their single of the same name, bridging generations of K-pop fans. | | 2025 | The trend shows no sign of slowing, with more groups exploring samples from a dizzying array of sources, from classic rock to 80s J-pop. |

AI stem separation tools (like Lalal.ai, Moises) now make it possible to isolate vocals, drums, or melodies from any recording with unprecedented accuracy. This lowers barriers to entry but also raises new copyright concerns.

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