Here is an in-depth look at Dias Contados (1994), its impact on Spanish cinema, and where you can find it available to stream, watch online, or download.
يصل "أنطونيو" (يقوم بدوره الفنان كارميلو غوميز)، وهو ناشط ينتمي لمنظمة "إيتا" الانفصالية الباسكية، إلى العاصمة مدريد للتخطيط لعملية تفجير إرهابية تستهدف مركزاً للشرطة.
Dias Contados (often translated to Numbered Days or Counting Days ) is a 1994 Spanish crime-drama film written and directed by . The film is an adaptation of the 1993 novel of the same name by Juan Madrid . Genre: Drama, Thriller, Crime, Romance Release Year: 1994 Director: Imanol Uribe
Nearly thirty years later, "Días contados" remains a towering achievement in Spanish cinema. It is celebrated for its unflinching, realistic portrayal of a specific time in Spain's history, dealing with the moral decay of political violence. Moreover, it is a deeply affecting and tragic love story between two people living on the edge. The incredible performances and masterful direction ensure that this film is not just a historical document, but a timeless piece of cinema, deserving of a wide audience in the Arab world and beyond. fylm Dias contados 1994 mtrjm awn layn - fasl alany
هي واحدة من أكثر العبارات بحثاً بين عشاق السينما الإسبانية الكلاسيكية وأفلام الإثارة والدراما النفسية. يُعرف الفيلم عالمياً باسم Running Out of Time أو Numbered Days ، وهو تحفة سينمائية أخرجها المخرج الشهير إيمانويل أوريبي (Imanol Uribe) عام 1994 بناءً على رواية للكاتب خوان مدريد. يجمع الفيلم بين قضايا الإرهاب السياسي، الإدمان، والعلاقات العاطفية المعقدة في قلب العاصمة الإسبانية مدريد.
Dias Contados (1994) is a Spanish drama film directed by Imanol Arias. The movie tells the story of a young man who returns to his hometown after a long absence and tries to reconnect with his family and friends.
(بحذر قانوني):
تدور أحداث الفيلم في العاصمة الإسبانية مدريد. يتناول الفيلم قصة ( كارميلو غوميز )، وهو عضو متخفٍّ في منظمة "إيتا" (ETA) الانفصالية الباسكية، يعيش حياة مزدوجة منتحلاً شخصية مصور فوتوغرافي. تخطط مجموعته الإرهابية لشن هجوم تفجيري كبير في المدينة.
دليل المشاهدة: الفصل الإعلاني والترجمة أون لاين
The protagonist, Antonio (Javier Bardem), is the archetypal anti-hero. He is a police officer, but he is far from a beacon of virtue. He is deeply embedded in the city's underworld, inhabiting a boarding house that serves as a microcosm of society’s margins. This setting allows the film to explore the concept of the "other"—prostitutes, drug addicts, and the homeless are not just background noise but integral to the film's moral compass. By placing Antonio within this community rather than above it, Uribe blurs the lines between the enforcer of the law and the criminal, a gray area that defines the film's moral ambiguity. Here is an in-depth look at Dias Contados
Parallel to this is the character of Lisa (Carmelo Gómez), the terrorist who is the target of Antonio’s investigation. The film humanizes the antagonist, refusing to paint him as a caricature of evil. Instead, we see the tedium and the moral corrosion involved in his clandestine life. This structural choice elevates the film above a simple cat-and-mouse game; it becomes a tragedy about men who are running out of time, trapped by their ideologies and their pasts. The tension is not derived solely from the question of "will he be caught?", but rather "can anyone in this story be saved?"
Ultimately, Días contados remains a masterpiece of Spanish cinema because it refuses to compromise its vision. It is a thriller that cares as much about the soul of its characters as it does about the mechanics of its plot. Javier Bardem delivers a performance of magnetic intensity, anchoring the film’s themes of despair and reluctant hope. Decades after its release, the film stands as a time capsule of 1990s Madrid, but its themes of alienation and the cycle of violence remain timeless. Whether viewed in a theater or discovered online as a translated gem, Días contados offers a powerful reminder that in the game of life and death, everyone’s days are numbered.
السيناريو مأخوذ عن رواية شهيرة تحمل نفس الاسم للكاتب الإسباني المعروف خوان مدريد . The film is an adaptation of the 1993
His life takes an unexpected turn when he meets his neighbor, Charo (Ruth Gabriel). Charo is an 18-year-old drug addict who, despite her bleak existence, clings to a spark of innocence. As the two lost souls grow closer, a desperate and passionate love affair begins. Antonio suddenly sees a way out of his life of violence, dreaming of escaping with Charo to Granada. However, as the date of the planned attack draws near, his identity is compromised, and his hopes for a new life collide violently with the brutal reality of his past.
يعكس الفيلم بوضوح الأجواء المشحونة والتوتر السياسي الذي عاشته إسبانيا في التسعينيات.