Yes - Close To The Edge -2013- -flac 24-192- Link

| Audio Content | Format / Resolution | | :--- | :--- | | | LPCM 192kHz/24-bit | | New 2013 Stereo Mix (Steven Wilson) | LPCM 96kHz/24-bit | | 5.1 Surround Sound Mix (Steven Wilson) | DTS-HD Master Audio 96kHz/24-bit | | 2013 Stereo Instrumental Mixes | LPCM 96kHz/24-bit | | Needle-Drop of Original UK Vinyl | LPCM 96kHz/24-bit |

Steven Wilson’s remix is widely praised by Discogs reviewers for better instrument separation, particularly bringing Rick Wakeman’s keyboards more forward and tightening Chris Squire’s famously "growly" Rickenbacker bass. Yes - Close To The Edge -2013- -FLAC 24-192-

Just revisited in full FLAC 24-192 and my mind is officially blown (again). | Audio Content | Format / Resolution |

Some purists argue that the increased clarity strips away some of the "esoteric mystery" and "ethereal" vibe found in the original analog mix. When the band crashes in at 1:45, the

When the band crashes in at 1:45, the lower bitrates tend to compress the attack. Here, Chris Squire’s Rickenbacker bass hits with a percussive, growling thud that vibrates through your chest. The high frequencies of Steve Howe’s steel guitar have shimmer, not sibilance.

The textures of the Mellotron and church organ in the title track are exceptionally warm and resonant, avoiding the "cold" sound some 80s digital remasters suffered from.

: The massive Pipe Organ recorded at St. Giles-without-Cripplegate gains a physical, three-dimensional weight.