| Ordem | Arte | Justificativa de Canudo (Simplificada) | | :--- | :--- | :--- | | | Arquitetura | Uma das primeiras expressões, capaz de fixar as formas e a experiência humana. | | 2ª | Escultura | A arte de dar forma a materiais, lidando com o ritmo no espaço. | | 3ª | Pintura | A representação bidimensional do mundo, também focada no espaço. | | 4ª | Música | A arte do som, da emoção e do ritmo no tempo, uma das linguagens primordiais. | | 5ª | Poesia / Literatura | A arte da palavra, capaz de narrar e emocionar através do ritmo da linguagem. | | 6ª | Dança | Adicionada na versão final, vista como uma arte essencialmente rítmica, assim como a música e a poesia. | | 7ª | Cinema | A "sétima arte" — uma síntese perfeita de todas as anteriores . Ele combina o ritmo no espaço (das artes plásticas) e o ritmo no tempo (da música, poesia e dança), sendo uma arte total. |
Initially, in his 1911 essay The Birth of a Sixth Art , he did not include dance as a separate category. By 1923, he updated his theory to include dance, thereby crowning cinema as the . The Classification of the Arts According to Canudo, the arts are ordered as follows: Architecture Sculpture Painting Music Poetry (Literature) Dance Cinema Reading the Original Text
: It provides a direct window into the optimism and anxiety of the early 20th-century avant-garde movement. Ricciotto Canudo Manifesto Das Sete Artes Pdf
Canudo founded the Gazette des Beaux-Arts and later the Revue de l’Époque . But his lasting legacy was his role as the godfather of cinephilia. He organized the first film clubs ( Le Club des Amis du Septième Art in 1921) and argued obsessively that cinema was not a "poor relation" of theater or painting, but a complete, autonomous art form.
Cinema, Canudo declares, is the —the first to unite space and time completely. It does what Wagner’s Gesamtkunstwerk (total artwork) dreamed of: combining visual beauty, narrative rhythm, and emotional movement into a single, industrial-age medium. | Ordem | Arte | Justificativa de Canudo
This perception shifted dramatically due to the visionary theoretical work of Ricciotto Canudo. An Italian intellectual, poet, and critic embedded in the Parisian avant-garde, Canudo single-handedly elevated cinema into the realm of high culture. His seminal text, "Manifesto of the Seven Arts" ( Manifeste des sept arts ), provided the foundational philosophical framework that allowed the world to recognize film not just as an industry, but as an independent, supreme art form.
In 1911, Italian theoretician and poet Ricciotto Canudo published a groundbreaking essay that permanently altered how humanity perceives moving images. Originally conceptualized in 1911 and formally published in its definitive version in 1923, the Manifesto das Sete Artes (Manifesto of the Seven Arts) argued that cinema was not merely a technological novelty or a cheap carnival attraction. Instead, Canudo declared cinema to be the ultimate synthesis of all human creative expression. | | 4ª | Música | A arte
Para Canudo, o cinema é a síntese. Ele une a (cenários), a pintura (composição da imagem), a poesia (roteiro), a música (trilha sonora), a dança (movimento dos atores) e a escultura (o volume das formas no espaço). 3. O Papel do Cinema como Síntese (As Duas Vertentes)