| # | Title | Featured Artist(s) | Producer(s) | |---|---|---|---| | 1 | Higher We Go (Intro) | - | Metro Boomin, Quavo | | 2 | Supastars | - | DJ Durel, Buddha Bless, DA Honorable C.N.O.T.E, Quavo | | 3 | Narcos | - | DJ Durel, Quavo | | 4 | BBO (Bad Bitches Only) | 21 Savage | DJ Durel, Kanye West, Buddha Bless, Quavo | | 5 | Auto Pilot (Huncho On The Beat) | - | DJ Durel, Quavo | | 6 | Walk It Talk It | Drake | OG Parker | | 7 | Emoji A Chain | - | Metro Boomin | | 8 | CC | Gucci Mane | DJ Durel, Quavo | | 9 | Stir Fry | - | Pharrell Williams | | 10 | Too Much Jewelry | - | Zaytoven | | 11 | Gang Gang | - | Murda Beatz | | 12 | White Sand | Travis Scott, Ty Dolla $ign, Big Sean | Ty Dolla $ign, DJ Durel, Travis Scott, Weezy, Quavo | | 13 | Crown the Kings | - | DJ Durel, Quavo | | 14 | Flooded | - | DJ Durel, Earl | | 15 | Beast | - | Murda Beatz | | 16 | Open It Up | - | Cardo | | 17 | MotorSport | Nicki Minaj, Cardi B | Cu Beatz, Murda Beatz | | 18 | Movin’ Too Fast | - | Quavo | | 19 | Work Hard | - | DJ Durel, Quavo, Dun Deal | | 20 | Notice Me | Post Malone | FKI | | 21 | Too Playa | 2 Chainz | DJ Durel, Quavo | | 22 | Made Men | - | Cassius J | | 23 | Top Down On Da NAWF | - | Ricky Racks | | 24 | Culture National Anthem (Outro) | - | Figure Made It, 808 Godz |
Despite the debates over its length, Culture II was certified by the RIAA by late 2018, proving that Migos' influence on the sound of modern hip-hop was inescapable.
: Reviewers noted Takeoff’s growth as a lyricist and the group’s undeniable ability to create catchy, high-energy trap anthems. Migos Culture II zip
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Culture II produced several massive chart-topping hits that dominated radio waves throughout 2018: | # | Title | Featured Artist(s) |
He opened another: Walk It Talk It.txt
A cinematic opener that highlights Quavo’s flair for storytelling and the group’s "Ad-lib" mastery. Culture II in ZIP form delivers major singles,
Culture II in ZIP form delivers major singles, high production value, and further popularization of Migos' signature style, but the double-album format yields uneven results—best enjoyed selectively (singles and strongest tracks) or as a snapshot of late-2010s mainstream trap.