As the nine cardinals perform the requiem masses for Innocent, Rodrigo delivers a powerful sermon about improving the Church’s morality—just as three suns seem to appear in the sky. Cardinal della Rovere (Christian McKay), a rival for the papacy, immediately complains that the people will take this as a divine omen for Rodrigo. This forces the cardinals to be sequestered for the duration of the papal conclave.
The Moor moves faster than the first two episodes, finally giving John Doman the chance to stop whispering and start roaring. The production design is still stunning (those crimson robes against stone walls), and the writing has found its rhythm: Machiavellian, cynical, and utterly addictive.
Rodrigo’s mistress, , is struggling with her diminishing influence. She attempts to visit the Vatican but is turned away. In her place, a new face arrives: Giulia Farnese , a young, stunningly beautiful noblewoman.
: The episode effectively contrasts the different "strengths" of the Borgia children. Juan is portrayed as reckless and self-absorbed, while Cesare’s darker, more fanatical devotion to his family's cause begins to emerge.
: At just twelve years old in the historical timeline, Lucrezia is rapidly learning that her value to her father lies entirely in her marriage alliances. "Sacred Matters" explores the loss of her childhood innocence as she becomes a bargaining chip in Rodrigo’s geopolitical chess match. Cinematic Style and Authenticity
⭐⭐⭐⭐ (4/5)
The episode relentlessly questions whether faith and power can coexist. Rodrigo preaches moral purity while orchestrating one of the most corrupt elections in history. Cesare is forced to abandon his own son to uphold a vow he never wanted to make. Every character must confront a stark choice: follow the path of righteousness or embrace the ruthless ambition necessary for survival.
This Showtime series starring Jeremy Irons is known for its high production value and more stylized, "mob-like" family dynamic. : "The Moor".
This revelation comes as a crushing blow as Cesare secretly visits his pregnant lover, Fiametta. She gives birth to his son, Giovanni, and initially, Cesare is overjoyed to learn he is a father. But the joy is short-lived. Confiding in his friend Alessandro Farnese (Diarmuid Noyes), Cesare reveals the truth about his father's vow and his divine obligation. Realizing that his son is a worldly tie that could threaten his family's holy ambitions, Cesare makes the devastating choice to abandon the newborn, offering the child as a sacrifice to God to ensure his father's success.
Rodrigo forces the rebellious Cardinal Orsini to sit on a throne that is actually a torture device (a cathedra with hidden spikes). He then reveals he has bought the loyalty of the French army via Ludovico. But the masterstroke is the "prodigal son" ruse: He publicly forgives his enemies, only to have them arrested the moment they leave the basilica.
This episode is a masterclass in tension, weaving together three major storylines that define the season's early trajectory.
If you thought Episode 2 was brutal, Episode 3, “The Moor,” turns the knife—then twists it. This is the episode where the show’s signature blend of theological terror and political savagery really locks into place.
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As cardinals gather in Rome for the papal conclave, Cardinal Rodrigo Borgia orchestrates a ruthless campaign to secure the most powerful seat in Christendom. With the entire family’s future at stake, Rodrigo deploys strategic bribes, political tricks, and secret alliances to manipulate the other cardinals into elevating him to the Papacy. Meanwhile, his children navigate their own perilous paths: Cesare makes a horrifying sacrifice, Juan is dispatched on a critical political mission, and the gravely ill Lucrezia is sent to a remote abbey where she receives both a mystical cure and a dark prophecy.
: Critics note that this episode is where the series truly "finds its feet". The pacing accelerates as the "setting up" phase ends and the high-stakes political intrigue of the papal election takes center stage.